By Elsa Aguirre and Irma Dorantes: The last divas of the Mexican gold film who brought Silvia Pinal to life

On November 27, 2024, Mexican film lost one of its more emblematic characters: Silvia Pinal. The actress, who died 93 years ago in a hospital in the Mexican capital due to health complications, was considered by many to be the last great diva of Mexican gold film. As part of a reflection point in the country’s cultural history, the chapter of an era that defined it was determined National and international cinema.

Silvia Pinal was active not only because of her talent as an actor, but also because of her ability to reinvent herself in various media such as theater, television and politics. Su consagración international llegó de la mano del Director Luis Buñuel, Quien la dirigió en las iconicas cintas: Viridiana (1961), The angel exterminator (1962) vol Simon del desierto (1965). These films are united not only in their careers, but also in Mexican cinemas and at new global reconocimiento levels.

With more than 80 films, 42 plays and 33 television productions, Pinal was a unique artist. However, her life is also marked by personal tragedies, as she killed her daughter Viridiana 19 years ago and died in an accident a week later. Su Trayectoria As I extended the last few years, it was a symbol of dedication and love for art.

Silvia Pinal’s party has thought a lot about the characters who lead permanent lives and make up the party Cine de Oro Mexicano. Their legacy is irrefutable, and other names have also been included as representatives of this single era.

Ana Luisa Peluffoborn on October 9, 1929, was just 94 years old and was one of the great figures who contributed to the rich Mexican gold film art.

His career, which began in the decade of the 1950s, was tied by his valentine to the suggestion that he kidnapped the conservators of the era and became a pioneer of cultural change in the national cinema. His first film debut in Tarzán and the Sirens (1948) was more, but the protagonist was quickly attracted by his carisma and his acting talent.

Entre sus películas más destacadas se encuentra La fuerza del deseo (1955) was interpreted by one of the first young artists of Mexican cinema and said to be a hit in the history of national cinema. This paper was consolidated as an image of an actress and compromised with the development of cinematic narratives. In hindsight it was brilliant in every way like the drama, the terror and the adventure film The vampire (1957) One of her works was most received by lovers of classic films.

At the end of his career Peluffo took part More than 200 filmsThat she has become one of the most prolific Mexican film actresses. They are able to interpret complex personalities and persistently interpret their position as reference artists in the industry.

Elsa Aguirre, Born on September 25, 1930, she was just 94 years old and one of the most emblematic actresses of the Mexican gold film. His career began in 1946 when he was a teenager, leaving with his grandmother Alma Rosa Aguirre. Since then, Elsa has been convinced by her elegance, her beauty and her acting ability that she was able to transform herself into one of the most important figures and admirers of her time. Her presence on the big screen was a touch of elegance and glamor that had marked the generations.

It has been recorded by his interpretations in films such as this one Cuento de Navidad (1959), an adaptation that turned into a classic Navigator, y Which means it’s alive (1987), por la cual recibió reconocimientos internacionales gracias a su actuación impeccable. Also, I am able to unite people with great emotional depth as a versatile actress and transform them into dramas such as romantic comedies.

Over the course of her career, Elsa had also delved into singing and, as a style icon, had tendencies in the fashion of her time. For 94 years I have maintained a respected and admired figure, absorbed not only by my artistic talent, but also by the serenity and grace with those who have rejoiced in the retos of their personal and professional lives.

Irma Dorantesborn December 21, 1934, was just 89 years old and one of the most accessible actresses to emerge from the Mexican gold film. His debut in the industry took place at the age of 50, captured by his fresh, natural identity and a confidence that captured the public. Aunque su relación with the legendario Pedro Infante In the menu eclipsó sus logros Dorantes built a solid and unique drive and released it immediately when pressed as in singing.

Here are the most famous films Pepe El Toro (1953) y Los gavilanes (1956) demonstrated his versatility in interpreting human and charitable personalities. These productions, along with others and those that received credit with the great stars of the era, were brought together to form a key group of national cinema. In addition to his work in cinema, Dorantes ventures into music, grabbing popular songs that reflect his versatile talent.

Luz Maria Aguilar, Born on March 26, 1935, she was just 89 years old and one of the actresses who gave an indelible mark to the Mexican gold film. He made his debut in the decade of 1950, when he assumed his classic beauty and a spectacular show that he expected in every project. His talent allowed him to carve out a career that combined cinema, theater and television, as a versatile and versatile artist.

In the film, Aguilar took part in the productions like him The case of a teenager (1958) vol The young (1961), films that reflect her ability to interpret papers with great emotional depth. Her natural elegance and her ability to adapt to different genres, since the drama in the comedy, in the position of one of the characters that pay more attention to the mediocre artists. After discovering a location scattered across television, I was won over by a number of recurring television series.

As characters such as Ana Luisa Peluffo, Elsa Aguirre, Irma Dorantes and Luz María Aguilar played their lives, the fall of Silvia Pinal sparked an intense debate between fanatics and speeches in society.

I think a lot about you wanting to represent him el verdadero final del cine de oro mexicanoand argued that Pinal was the only figure who transcended an international level and coalesced into an unparalleled artistic legacy.

This is a perspective, many actresses, many talented and talented people who are not at the level of cultural influences, because they are the final key to this historical and cinematic story.

The fall of Silvia Pinal symbolized the end of an era, the actresses who represented a direct link to the glorious Mexican cinema. Their work and influence come from the artists of an unrepeatable era that shaped generations.

The Mexican gold film lives in the shared memory of these characters and continues to be inspired by the public and the new generations of films and actors.